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cultural reality italiana.Ovvero why there are so many new writers, and few are the readers? THE DIFFERENCE

Diogenes of modern times

The Italian literary scene is not as wide as quality. But it is very large. Hundreds
are the books that every month we introduced the distribution system but only some manage to get noticed.

A student

The problem is that even the "few" does not stand out for their originality and plots, which are often based on experiences political and party or sex scandal, will remain as the watered wine. The comparison with the best-selling foreign no match. The contents appear to be from different planets and, if our country was once the home of culture, today is worrying decline. Suffice it to say that among the top 100 universities worldwide NO is Italian. This is due to the creation of a political culture that produced sub (like the Italian scene) a system for its own sake. Universities are seen as safe places of work and not as centers of research and progress. Not by chance that our leadership is just what a nation does not invest in research . And the kids in the meantime graduate in letters and postcards not think that many of these may have been born a few decades ago to give his salary to just hard-working teachers.
no coincidence that young people are crying for programs such as Big Brother and do not know how to relate to Europe (let alone the rest of the world).

The writers are generally hopeful people who invest their time and their dreams into written works which, in most cases, are not considered. It 'true that many write but have no idea what it means. A little 'how to grapple with the DIY without ever taking a hammer in his hand. Kids (but most of all girls) write novels with a head full of Japanese manga and Manzoni and Calvin have not read even one page (maybe something at school ... if all goes well). The fast food of writing gives a sense of security over certain elements in churning out yet another story of adventurers. These, of course, must defeat the evil in his tower surrounded by orcs and dragons sputfuoco. All this is topped with a finale where the villain of the moment dies screaming "nooo" and the castle falls on his head. And here
sprout publishers to pay them, with Mephistopheles flattery, launched the new Wilbur Smith to his great career and non-existent. Obviously stirring the poor fellow on duty with the hopeful vision of a bright future under the guarantee of a large sum of money (this reminds me of two gentlemen ... a snake and an apple ... but these are stories of the past who do not teach anything !). With these systems has generated, with time, saturating the market with "works" of little value. Hence the stagnation that has resulted in alienating the total closure of the publishers.

Alessandro Tesio

should elevate the culture, but this could be done only with the elimination of statism university and politicization of the universities. Besides a good dose of elbow grease by those who want to pursue a career as a writer, knowing that, before you write, you must read. And not only La Gazzetta dello Sport ...

hug you all.